Way, way back in the day, when I was coming up as a young writer, there was a good deal of serious chatter about why plot and characterization were the horseless carriage and icebox of literature (they were done, finished, just like tonality and melody in classical music). Characters in […]
Writing that Travels
“To see is to have seen,” said the great 20th-century Portuguese poet, Fernando Pessoa. This seemingly simple sentence can be read more than one way. First, as a critique: we see mainly what we have already seen, that sight is a well-worn habit. Another interpretation suggests the opposite: that at […]
Any Novel’s Negative Twenty Questions
During the production of the movie version of The English Patient, the novel’s author, Michael Ondaatje, became friends with the film editor for the project, Walter Murch. Their relationship eventually blossomed into The Conversations, a book of, well, conversations, Ondaatje and Murch’s back-and-forth about any subject under the sun, filmmaking, […]